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Side A, track 2 on LP Bio, Industrial Acoustica (green):

The second bio-acoustic composition entitled Touchings resulted from the cooperation between the artist and biologists/bio-acoustics experts from the Slovenian Museum of Natural History (Matija Gogala and Tomi Trilar). In this bio-acoustic composition the composer used recordings of the following insects: European mole cricket (Gryllotalpa gryllotalpa), Italian tree cricket (Oecanthus pellucens), Field cricket (Gryllus campestris), Bordeaux cricket (Tartarogryllus burdigalensis), Sickle-bearing Bush Cricket (Phaneroptera falcata), Great Green Bush-Cricket (Tettigonia viridissima) and Solitary bee (Anthophora acervorum). He also included the sounds of Grey Cicada (Cicada orni), Common Cicada (Lyristes plebejus), Pharaoh cicada (Magicicada septendecim) and the vibrating sounds of the American bedbug Euschistus euschistoides, and the Rambur's Pied Shieldbug (Tritomegas sexmaculatus). On top of this he added the buzzing of the mosquito (Culex sp.), the singing of the nightingale (Luscinia megarrhynchos), the sounds of a European tree frog (Hyla arborea) and a choir of other insects and birds. The soul of the composition was contributed by the master with a piano accordion and the synthetic sounds of a Roland D-50 synthesiser. This piece of music was first published in 1992 by the Slovenian Museum of Natural History.
(Matija Gogala)

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from Bio, Industrial Acoustica (Green), released February 23, 2016

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Bostjan Perovsek image

Bostjan Perovsek Slovenia

musician, composer and soundscape artist, composes experimental, electro acoustic music. He specialises in creating bio- acoustic music based on the sounds of animals, especially insects. He also creates music for film, theatre, performances and multimedia installations, as well as soundscapes for museums and galleries. He works also as sound engineer for film and video. ... more

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